The shrinking town of Eisenerz lies at the foot of the Erzberg mountain, Austria’s largest and best-known site of extraction of iron ore. The post-industrial town is experiencing a rural exodus, which concerns women in particular. The spatial practices of mining areas have been under-researched using inclusive methods. Mining is predominantly narrated in male, heroic narratives, while counter-narratives of repair, care, reproduction and maintenance are mostly overlooked. 

Within this complex field, the project focuses on intersectional feminist perspectives on an area of exhaustion; it will collect feminist post-extractive stories to broaden the perception of mining areas and strengthen the focus on feminist narrations for future perspectives. We ask: Which practices contribute to the continuance of the community? The project shows and discusses the spatial practices of repair amid extraction with multiple actors. We work with local associations to reach diverse groups. 

Thinking and knowing with the diverse, often surprising, actors and their practices, the citizen scientists shape the project on several levels: they collect and locate stories of practices, they research private archives, and they report and sometimes even organize. Processes of mutual learning take place in meetings and shared activities, and through the process of transformation into drawings by the East Styrian artist Roswitha Weingrill. Based on collaborative science and an affirmative and inclusive approach, citizens are involved in decisions on many levels, especially concerning their contributions and their representation. The collected knowledge will contribute to creating imaginations of future stories of a liveable community. With the help of artistic methods, these will be illustrated and made accessible in public discussions. 

Via strategies of making visible, bringing together, and anticipating and activating futures, and also with the help of artistic tools of knowledge production, this project will show practices as constant reparative counter-practices amid extraction. An ethical, intersectional framework of feminist citizen science will revive the margins of how we know about environmental exploitation to deliver a complex, yet profound, image of a polyphonic Anthropocene that allows for imagining dynamic assemblages after exploitation. 

Photo gallery

• © Roswitha Weingrill © Roswitha Weingrill
• © Roswitha Weingrill © Roswitha Weingrill
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It is an open secret that hardware operating on our smart devices contains not only plastic, but also conflict materials such as tungsten, tin, tantulum and gold. Technology is therefore not neutral. These resources are mined in conflict regions, assembled to electric circuits under harmful labour conditions and mostly ending up in contaminating landfills. This pollution is best understood as an enactment of ongoing colonial relations to Land. 

Arts-based research methods seize artistic practice to unpack complexity. Through opening up our artistic research project to citizens we want to make this phenomenon tangible. Intersecting Art and Science needs to be an experience of empowerment, of encouragement to find new ways.

This Citizen Science projecttackles sensitive issues through an online game that introduces the player to alternative technologies. Participants in our workshops (at the Technisches Museum Wien, the Academy of Fine Arts Vienna children’s university, Maker Fair Vienna and three Viennese schools) can become players and navigate through different scenes to meet specific characters as avatars. These avatars represent real people from around the world, collaborators in our main research project. Through this form of interactive storytelling young people are invited to become inventors of green and fair hardware themselves, to network among each other and transform their ideas into actual prototypes in the next phase of the project. 

Through the term Ethical Hardware we want to describe technology that does not harm the environment, but embraces restorative practices for the benefit of nature and inhabitants alike.

There are strong social movements among teenage, female* and non-binary creatives who share similar values (Extinction Rebellion, Fridays For Future). Our Citizen Science Project addresses the lack of communication between academia and the youth movement. We would like to explore the creativity and transformative work performed by young citizens, specifically from minorities, by offering a playful entry point to our research. We hope that the visions contributed by CSs will transform our theoretical definition of what imagining future technologies entails, and vice versa give participants the chance to discover alternative futures. This way together we hope to gain the necessary strengths to face this crisis. 

Our research team composed by artists researchers Stefanie Wuschitz and Patrícia J. Reis at the Academy of Fine Arts in Vienna and the citizen scientists will together with the Technisches Museum Wien (TMW), our national research partner, make the research results operative for use in classrooms and after school programs.